Imagine standing in a 2,300-year-old amphitheater, where marble stones have borne witness to countless tragedies and triumphs. Now picture a group of performers—some wheelchair users, some blind, some deaf—taking the stage not just to act, but to demand a reckoning with the very idea of who gets to be seen in spaces that claim to celebrate humanity. This isn’t just a play; it’s a manifesto. And it’s happening in Greece, where the ancient ruins of Epidaurus are now the backdrop for a revolution in accessibility that feels both radical and long overdue. The production of The Trojan Women at Epidaurus (Read more…)
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